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02/02/13 20:55:02
Building An Alternative MIDI Controller
Building An Alternative MIDI Controller
blog from carlo serafini
07/07/12 18:22:57
We will be changing the course of this website soon in order to focus on the blog.
"I see the site is still up. If you're still around, make sure to tell your readers about the Kokanee soundtrack contest. Kokanee is making a real movie and they need musicians to contribute songs. You could be in a movie! Submit your tunes here. https://share.itisthemovieouthere.ca/"-- Mike (on 08/28/12 10:48:07)
"Dan, I liked when you wrote something about the recent track for Bryan. That's the kind of thing I would like to see happening here. Recording artists blogging about the recordings they make."-- bfbaker (on 08/26/12 00:41:25)
"Wow, well I really hope this isn't true as this is the ONLY site on the internet I'd want, and put, my music... it's low-profile, user-friendly and a place I've really made "my home" over the last many years for my music as I think I have nearly 100 pieces up here. So, I see you're/we're still up here on August 6th and I really, really hope you'll reconsider, as for myself, it's been an invaluable resource and place to house music I wouldn't feel comfortable putting anywhere else at the moment... so here's to hoping there's a way it can stay.
Daniel Stearns "-- danstearns (on 08/06/12 05:25:21)
We're Changing Course
blog from Homemade Music
We will no longer be hosting your audio so if you need to retrieve it, please do so. The site is being deleted August 1st, 2012 and we are starting over.
Thanks to those who supported the idea.
11/09/11 04:21:11
the post psychedelic art of velveeta heartbreak
blog from Michael J. Bowman
Art and music by Michael J. Bowman - Velveeta Heartbreak.
11/06/11 14:25:57
Testing html5 audio
blog from Bryan Baker
11/05/11 22:50:24
Mail Art
blog from Ken Clinger
10/31/11 03:46:15
And In That Dream (Deep Sleep Remix)
blog from Zebra Mann
10/25/11 14:30:56
October Sketch #3
blog from Bryan Baker
The third sketch reveals a backing track and I'm improvising in the studio. I like the randomness of the backing, how it's not really tethered to a time which allows the guitar to wander through that space. Yet, it still feels like a song maybe. I've been exploring this kind of random thing lately.
10/18/11 19:48:29
October Sketch #1
blog from Bryan Baker
As always I'm playing around with a lot of different fragments songs and whatnot. I thought I might try something different and piece something together by posting bits to YouTube each day as I work it out. Here's a stab of something starting in Am (and ending, as it turns out).
09/29/11 20:10:27
Time for an update on my recent sound studio work and music-related stuff.
"I remember Dust That Collects. Ron sent many cassette albums to GAJOOB for review. Hope all is well with him.
Who did you use for manufacturing the vinyl? What did you get? What was the cost?
Sounds like you've had many receptive outlets for your work recently. Must be inspiring!"-- bfbaker (on 10/11/11 07:26:38)
recent stuff
blog from William A. Davison
First off, the Six Heads "Cardboard Oracle" LP was launched on Sept. 3 at the Tranzac Club here in Toronto! The launch went really well, the club was packed, the performances by Dirty Door, Fleshtone Aura, and Roman Pilates were all excellent, Six Heads also turned in a great set (if I do say so myself), and we had a really enthusiastic and supportive crowd. All in all a fantastic evening! Copies of the LP are available from Wintage Records and Tapes at wintagerecords(at)gmail(dot)com
I've been continuing to digitize my old four-track cassettes (see previous blog posts). Actually, I took a break from it but am getting back to it now. Still working on Four-Track Tape #3. One good thing related to this work is that, since I had to set up a new Mac in my studio, I took the opportunity to upgrade my Mac version of Audacity from 1.2 to 1.3. Works much better in general and handles recording of multiple inputs (i.e. 4 or more) in a much less quirky fashion than 1.2 did. It also means I have the same version running on my Mac and Linux computers. Bonus!
Other studio work. I've gotten kind of obsessed with early 80s minimal synth, cold wave, etc. lately and I have ambitions to release some material of my own along those lines. It may never happen but I have been doing some initial experiments in the studio. My starting point for these experiments has been a free software called CBasiCore64. It's a standalone MAX/MSP program that was made to replicate the early Commodore 64 sounds, mostly for use in 8-bit/chiptunes (which I also quite enjoy), and to provide rudimentary sequencing/pattern programming of those sounds. It's super easy to use and a lot of fun! I'm only using it for creating drum sounds and patterns, its bass and synth sounds are a bit too 8-bit for what I'm going for. Anyway, I'm making these drum patterns in CBasiCore64 on my Mac and then recording the individual drum sounds as wav files which I then import into LMMS on my Linux PC (LMMS, aka Linux Multimedia Studio, is a sequencer package I quite like). At that point I can replicate and elaborate on the original CBasiCore64 drum pattern, or create a new pattern using the same sounds. LMMS also includes the great softsynth ZynAddSubFX which I'm using to add noises and textures to these pieces (for the time being I'm avoiding melodic elements). Eventually, the idea is to fill out the compositions a bit and then add lyrics/vocals. We'll see if I make it to that point!
Elsewhere in the news, on Sept. 10th I did a Songs of the New Erotics performance called "Slow Bells" at a cathedral in Hamilton, Ontario. S.O.T.N.E. performances are few and far between these days so it was great to be given the opportunity to create and present something new for that project. Thanks to New Harbours Series and event organizer Rich Oddie (Orphx) for that! The trip to Hamilton also meant I could reconnect with my old friend Jim Dejong (Infant Cycle/The Ceiling label)! Was really great seeing Jim again and we did talk about the possibility of future collaborations (Wax Infant revived?).
On the improvised music front, I was very happy to see another project momentarily revived - my guitar duo with Arnd Jurgensen called Sen/Son. Arnd and I did a set at Somewhere There (here in Toronto) on Sept. 21st and I also sat in with the ensemble Built To Suit (Arnd Jurgensen, Matthew Poulakakis, James Bailey, Alan Bloor, Guy LeBlanc) on the same evening. We received standing ovations for both sets! Of course, the audience consisted of only one person. Oh well (a typical evening at Somewhere There). BTW, that one person was Ron McFarlan of Dust That Collects. Some of you home-tapers may remember him.
What else? Well, I've also been helping Kevin Crump/Wintage Records with the upcoming Nihilist Spasm Band LP. Just doing a bit of audio editing/mixing and I'll be helping with the graphics a bit this coming week. NSB are awesome! Six Heads jammed with them a month or so back and had a great time!
One last project I'm going to mention today is a mix CD I recently made for my friend Steve Venright on the occasion of his 50th birthday. The CD consists of 50 one-minute selections from my "Tape Sketchbooks" (basically, the archive of my studio work through most of the 80s and 90s) which were chosen in a strictly random process (no decision-making, editing, or censoring!). A quickie job that only took a couple of hours to put together but it turned out really well! Pretty interesting listening, actually! I've been thinking about putting out a series of mix tapes that would be (more or less) random selections from my studio archives, so this little project may be a forerunner to that.
There, that oughta hold ya! See you in the next update!
- William A. Davison
09/09/11 22:52:35
The past few years I've been going through periods of recording and periods of not recording. It seems I like to have my studio so that I can flip some switches and start recording. When I'm away from it, I have to remember where all the chords are going. Stuff gets piled on top of stuff. (see photo)
Dusty
blog from Bryan Baker
So I play around with ideas on an acoustic guitar and nothing gets done.
Well I've got some ideas. I'll let you know if I manage to get to work on them.
Join us! Blog about your home or project recording studio activities. Create and collaborate on all kinds of projects. Share photos, post albums, and more.
11/13/11 04:25:44
This is what I do... (Dan Reaves)
blog from Videos
Zlaty Noc was first composed in 1996 as Cabaret Card by Daniel Stearns for the rock group, Private World. This is a 2013, microtonal re-imaging for more orchestral forces by the same composer Credits: . Genre: Other. -->please comment ()
Stearns,20-edo guitar and other instruments and sounds Credits: . Genre: Other. -->please comment ()
Credits: . Genre: Instrumental. -->please comment ()
stearns
In a Fountain of Verdant Light, 2007
A 2007, two-piano composition dedicated to fellow experimenter and microtonalist, Joel Taylor Credits: . Genre: Classical. -->please comment ()
Daniel Stearns - microtonal tenor ukulele, acoustic fretless bass, fujarka, bells, keyboards and percussion Credits: . Genre: Folk. -->please comment ()
Dan Stearns - composition, instruments, and sounds This track was recorded and mastered in the early to mid 1990s by Dan Stearns, Pete Zolli, and Shawn Briggs as Not Even Love, for the recording Opus Contra Naturam. A cassette version of Opus Contra Naturam circulated a bit through both the guitar and microtonal underground and was later even mentioned in a 1995 Guitar Player Magazine article--a rarity for a cassette-only, DIY recording--as sounding something like what Charles Ives might've sounded like had he played metal guitar. In the some twenty odd years since Opus Contra Naturam was recorded and has remained unreleased, guitar music has changed a lot in terms of taste and openness to experimentation, and in some ways this music sounds a bit more at home now in its own future than it did in the period in which it was recorded. Credits: . Genre: Instrumental. -->please comment ()
stearns
dream of the Death-Bird
Daniel Stearns - microtonal banjo, guitars, bass, keyboards, electronic and acoustic percussion, sound John Clark - flute Credits: . Genre: Other. -->please comment ()
Daniel Stearns - 13-tone tenor ukulele, fretless acoustic bass, voices, plastic train whistle, tin whistle, handheld radio, electronic and acoustic percussion Credits: . Genre: Other. -->please comment ()
sigmata
20edo guitar example, 2
early 1990's solo 20edo guitar improv fingerpicking example over a drum machine Dan Stearns Credits: . Genre: Lo-Fi. -->please comment ()
sigmata
20edo guitar example, 1
early 1990s solo 20edo guitar improv fingerpicking example over a drum machine Dan Stearns Credits: . Genre: Lo-Fi. -->please comment ()
Daniel Stearns - 1/4 tone electric guitar, violin, prepared piano, bass, electric drums and percussion, live electronics, autoharp, fujarka Marco Oppedisano - prepared electric guitar Credits: . Genre: Other. -->please comment ()
stearns
Take me to a Special Place
Dan Stearns - electric guitar Mike Connors - vibraphone Bart Mallio - bass Ned Smith - drums Credits: . Genre: Instrumental. -->please comment ()
stearns
Haveth Childers Everywhere
Daniel Stearns - guitar synth, prepared piano, acoustic guitar, fretless acoustic bass, live electronics, percussion and other sounds Lubica Stearns - railroad tines Credits: . Genre: Other. -->please comment ()
The World Folk Art Orchestra Credits: . Genre: Instrumental. -->please comment ()
stearns
Happiness Hums like a Newborn World
World Folk Art Orchestra Credits: . Genre: Other. -->please comment ()
I. Prelude....................................................................2:05 II. In Fields of Grain.....................................................2:12 III. At a Gallop.............................................................2:19 IV. Lament..................................................................1:31 Daniel Stearns - microtonal tenor, classical and acoustic guitars, and tenor ukuleles Credits: . Genre: Other. -->please comment ()
Dan Stearns - composition, guitars, bass, keyboards, drums Credits: . Genre: Instrumental. -->please comment ()
dan stearns - composition, electric guitars, bass, and electronic drums John Clark - alto sax Credits: . Genre: Instrumental. -->please comment ()
sigmata
Two Songs for Turntable Quartet: Jazz Set
Two Songs for Turntables, Jazz Set I. Mid-tempo II. Ballad Daniel Stearns, 1992 Credits: . Genre: Experimental. -->please comment ()
danstearns - microtonal tenor guitars Credits: . Genre: Folk. -->please comment ()
Berna vintage electronic studio from Tobor Experiment on
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